Photography and Commerce

The eyePhotography has been an integral part of successful marketing for more than a hundred years. Images provide a direct route to our emotion driven selves. Our brains are wired to interpret images as triggers for responses such as fear, sex, aggression, flight and desire. Words are interpreted and filtered but images have instant impact on our mammalian brains. Marketers use this fact to great advantage. They are advocates and make no bones about that. Publishing subtly biased images is a basic technique of mass persuasion and propaganda.

Consider the following images.

These images all have an emotional impact of some kind on the viewer. Our brain determines at a glance whether to trigger survival mode or some emotional response without conscious thought. It is simple, image perceived and emotional response triggered. This is the basis for much of the mass marketing that we see every day. As our attention spans shrink, marketing via high impact imagery becomes ever more important.

With the exception of straight documentary vernacular work, photographers should always strive to create images that bring forth emotional responses. We craft images using content and arrangements of elements to make a visual statement. In effect we are marketing our work. In my mind much of the difference between a technically competent image and a great photograph is emotional content. An attractive image that does not make an emotional connection will be easily forgotten in a world saturated with images.

Producing A Body of Work

Press Camera
Press Camera
A few weeks ago I wrote that projects bring structure to my photography. It is impossible for me to consistently produce work without a project. I have to organize myself to get good results. Apparently some people have an intuitive sense of what to shoot but I need more control.

Typically I shoot and post images online after each outing. That leaves me with a few published images and lots of unpublished stuff. Most of my work remains unseen. Assuming I make a reasonable effort to self-edit, many decent shots never see the light of day. That is where the idea of a body of work comes in.

A body of work is often defined as the total output of an artist or artisan over time. That could be a lifetime or a project. It may seem strange for a non-professional to consider a collection of photographs as a body of work. I do see my images in that way.

One hot concept these days is to ‘curate’ your social or public presence. That could mean anything from creating lists of things for others to follow to just about anything that carries a personal stamp of approval. Assembling images into a body of work is considered by some to be self-curation. That seems a little pretentious to me so I just pick and sequence images until I’m satisfied with the results. It amounts to the same thing.

Once the images are selected and sequenced it is a matter of processing the lot for output. Here too decisions must be made which will probably eliminate some photos. Not every image will work for every output medium. If all goes well the end result is a coherent body of work. I can’t think of a more satisfying way to conclude any project.