Project Year – One Third Done

I’m now about one third done with my project to shoot with legacy lenses for a year. Using forty plus year old optics full time on a Sony A7II may seem a little unusual. It is a different approach to digital photography and not something to do without planning. For me it is worth doing. Those old lenses are inexpensive and some even give excellent results.

Images captured with legacy lenses often have a different look than those captured with modern optics. Lenses for film cameras were designed using analog methodologies and manufactured with less precise tooling. That gives them what some enthusiasts call ‘character’. When adapted to digital cameras they often render images with unique qualities. That is not to say better qualities than modern lenses.

So far all my project images have been shot with one of four prime lenses in the range of 28-135mm. Not much reach considering I shot many images at 200mm with my X-T1. That would be a field of view around 300mm with the full frame A7II. Using prime lenses with just four available focal lengths has caused me to adapt the way I visualize images. That along with manual lens control has forced me to work slower. I’ve been shooting fewer frames with better results.

Project Year - Kit
Project Year – Kit

The first third of the project has not been as productive as I’d hoped. My time shooting in the field has been less over the last few months than any time in recent years. I expect that to change. I will be shooting more in the Texas Bend as well as around San Antonio in the coming months. Just for starters Día de Muertos is in a couple of weeks. That is always interesting to photograph.

To sum up, the project has exceeded my expectations. I’m enjoying my time with the camera and shooting better images. That makes the project a success to this point. I expected using legacy lenses would be a burden but I like the control they give me. Also the lenses I’m using are producing good results. What’s not to like?

Smooth

Water for Horses No1
Water for Horses No1
The terrain of the Edwards Plateau is anything but smooth. The early morning ground fog turns rugged landscape into fiction. It is impossible to see the ground falling away just beyond the edge of the water tank into a gully fifty feet below. A quarter mile beyond is another arid hill top. The geography goes on mile after mile broken occasionally by a fence or a gate. It is big country that trains the eye to see wide angle vistas. Those who live there see near or far but not middle distance.

Ocean

Arid Sea
Arid Sea – Zuiko 28mm f3.5
Once I felt warm moist wind from across the South China Sea on my face. It was a thick substance with the smell of salt. I lived beneath a volcano in a place that no longer exists. It is Strange when a part of your past, a place where you walked can exist only in memory.

Now I navigate an inland sea long evaporated but still visible by what it left behind. The air that blows against my face is a desiccant with the delicate aroma of desert flowers sage and mesquite. My ocean is vast with turbulent waves but only memory of moisture.