Dime Novel

I spotted this man walking around in front of the old Post Office in Luckenbach Texas a while back. He would stop from time to time to strike a pose for the rest of the tourists. It seemed amusing at the time, given that everyone in Luckenbach is projecting some sort of image. He fit right in. The crowd is always a diverse bunch, from well heeled wannabe bikers to outlaw country music enthusiasts and of course tourists.

The dime novel narrative surrounding my subject was already there, all I had to do was make it visible. The text is a combination of sentences I wrote myself and a paragraph from an actual dime novel, The Untamed by Max Brand, published around 1919. Max Brand is surely one of the great marketing names of the twentieth century. Of course given the context of his work it may well have been a reference to a permanent tattoo on a horse. No matter, it is a wonderful name for a western novelist.

The West we know from popular entertainment is a wild exaggeration of larger than life characters and their dastardly or heroic deeds. My subject personified many of those stereotypes at least in my mind. He made a turn of the century dime novel impression of rugged individualism with impeccable style cues.

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Social Security
Social Security
This Social Security document photographed in 2014 was taped to the wall of a rural post office that closed in 1974. It had been hanging there untouched and probably unseen for forty years. During that time it had weathered to the color and texture of parchment. The found image is composited with the portrait of a man in his mid-eighties.

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Hard Man

For some time now I’ve been interested expanding my photography to include more creative post processing. The idea that a photograph must only be what is captured by the camera is a ridiculous notion. Perhaps it made sense in the days of analog photography because serious post processing in a darkroom required a level of skill that few casual hobbyists could manage. With digital photography there are many more opportunities for creativity after the shutter clicks. Software tools are not necessarily easy to learn but the cost is low compared to chemical darkroom equipment and information is abundant. As far as I’m concerned it makes sense to use the creative potential available.

To that end I am starting a new project doing altered or augmented images. By augmenting images I mean using digital tools to interpret aspects of a photograph that are not well expressed in the raw image. It is a purely subjective and personal vision. It is not a full time project, just something to add to my existing schedule. I always like to have a variety of work going on.

This image is good example. It was shot within hours of the subject being released from jail. My personal knowledge of the circumstances of the photo shoot informs my processing. I see a spare toughness in his face. He has overcome adversity, possibly of his own making and that should to be part of the portrait. To make this feeling visible I composited concrete and steel textures over his face while keeping the intense clarity in his eyes.

The digital manipulations in this photograph are rather minor. The creative expression is not. The finished work conveys an impression of the subject that I saw in front of my camera. To me it seems more accurate than the raw image.